Review: The Space Between Us (2017)

“Just add water” It’s difficult not to think about The Martian when it comes to new film The Space Between Us. Both center around a human stranded on Mars—albeit in drastically different circumstances—and both attempt to exist in a “real…

Review: Sophisticated Ladies

If you love jazz, and even if you only like jazz, and maybe even if you’re not sure about jazz, you’ll have a terrific time at Musicalfare’s “Sophisticated Ladies.” You’ll be tapping your feet and dancing in your seat during…

Review: The Autopsy Of Jane Doe (2016)

“It looks like they were trying to break out” There’s no sign of forced entry. Two bodies are brutally murdered upstairs and a naked woman without a skin blemish is discovered half-buried in the basement. Sheriff Sheldon (Michael McElhatton) is…

Review: Frankenstein

When humans presume the role of God, monsters are created. But which is the monster – the creator or the created? How far can humans go in disrupting the natural order before destroying themselves and what they’re attempting to create?…

Review: Live By Night (2016)

“We don’t get to pick our sins” A scene happens early on in Live by Night where Deputy Police Captain Thomas Coughlin (Brendan Gleeson) tells his criminal son Joe (Ben Affleck) that our actions always add up to a conclusion…

Review: Hidden Figures (2016)

“I’m sorry. I’m … not the custodian.” This is the film that math teachers throughout the nation have needed as an answer to each year’s smart aleck questioning, “When are we ever going to use this?” Push away the depressing…

Review: Passengers (2016)

“Excellent choice” **Spoilers included** You’re traveling on a spaceship towards a distant planet in hopes of restarting your life anew with endless possibilities. The journey takes 120 years, your body in stasis to arrive the same age that you left.…

Review: Fences (2016)

“A fastball on the outside corner” It seems that many people have been docking points from Denzel Washington‘s latest directorial effort Fences by labeling it as “too theatrical.” Well, that’s somewhat hard to avoid when you’re dealing with August Wilson‘s…

Review: Collateral Beauty (2016)

“If only we could be strangers again” There’s a moment in the trailer for Collateral Beauty where Helen Mirren‘s character of “Death” is talking to someone that we cannot quite see but definitely know isn’t Will Smith. This was an…

Review: Nocturnal Animals (2016)

“Sometimes it’s not good to change things so much” One movie stood out in 2009: fashion designer Tom Ford‘s unlikely directorial debut A Single Man. It had style to spare and amazing performances (Colin Firth‘s Oscar loss was vindicated a…

Review: Moana (2016)

“Beat the drum” It’s tough to give two white guys the benefit of the doubt when it comes to spearheading a blockbuster feature-length animated film about Ancient Polynesian mythology, but you cannot deny that Disney stalwarts Ron Clements and John…

Review: Allied (2016)

“Look for the hummingbird” Sometimes that story you’ve had bouncing around your head needs time to gestate and your career the opportunity to blossom before it can be released upon the world. For Steven Knight it was a bit of…