The nonchalant spectacle of Rihanna’s Super Bowl halftime show


Rihanna holds a microphone, surrounded by dancers.
Rihanna performs at the Super Bowl halftime show. | Cooper Neill/Getty Images

A baby bump, casual dancing, and the superstar’s greatest hits made for a memorable performance.

To love Rihanna, the musical superstar, billionaire beauty mogul, fashion designer, part-time actress, current mother of one, and future mother of two, is to be left waiting and wanting. The next single, the next makeup drop, the next outfit: Rihanna is one of the few humans in this overexposed, over-curated world whom people simply cannot get enough of.

At Super Bowl LVII, five years since her last live performance (the 2018 Grammys) and seven years since her last album (2016’s Anti), she showed us how easily — maybe too easily — she commands stardom, by way of how great her previous hits have been.

Levitating on a platform high above the field at some weak-in-the-knees feet in the air, Rihanna — draped in red with a matching crimson lip, no doubt a shade of Fenty Beauty — descended upon Arizona’s State Farm Stadium with a command: “Bitch better have my money.” Rihanna is the only billionaire in existence who could ask for more money and not have it be tacky. Rihanna doesn’t need more money, but whatever Rihanna wants, she gets, with millions of fans cheering her on.

For what it’s worth, the NFL famously does not pay its halftime performers, but it does cover production costs, of which there always seems to be no expense spared. This year, multiple platforms were suspended and lowered, lifted, and lowered again and again in synchronization with her run of songs; the set looked like a giant audio equalizer. The direction and camera work were on point, with wide shots capturing the scale and grandeur of the floating stages. Though simple, the visual effect was still larger than life, matching the gravitational pull of Rihanna’s biggest hits.

After her monetary threat, Rihanna eased into a medley of some of her most memorable dance singles. “Where Have You Been” bopped into “Only Girl,” which slunk seamlessly into “We Found Love.” Although these comprised the club soundtrack of the last two decades, Rihanna mostly grooved along reservedly, leaving the huffing and puffing to her dancers and most of the aesthetic work to the gigantic set pieces.

To be fair, Rihanna’s reps confirmed she is pregnant with her second child after a speculative social media frenzy (that belly rub did mean something!). It’s also worth noting that Rihanna’s calling card has never been full-throttle dancing. She is a hitmaker; it’s about the sound. Her voice is an engine that can take any song in any genre to the top of the charts. She sings; we dance. That’s how it goes.

If there was a point in the night where the star seemed to be enjoying herself most, it was during the segment where the pace slowed, and she sashayed into “Rude Boy,” “Work,” and “Pour It Up.” With the cameras up close, she cracked a wry smile here and flashed a squint there. A master of face-ography. As she transitioned to her final set of songs, one of the dancers handed her what seemed to be a Fenty compact (internet sleuths deduced it was her brand’s $34 blotting powder), and the makeup entrepreneur dusted her nose and under-eye area.

It was time for Rihanna’s close-up.

Freshly powdered, Rihanna eased her way to center stage via “All of the Lights” and “Run This Town,” solo, deigning to bring on collaborators Jay-Z and Kanye West for what would have been quintessential Super Bowl cameos. And then, just like she entered the stadium, she planted herself on one of those death-defying platforms and ascended high above the field, powering through “Umbrella” and “Diamonds,” two of the biggest singles of her career. In both songs, you can hear that distinctive sheen in her voice, a sparkling metallic sound — like the taste and jump of perfectly chilled Champagne. It’s that special quality in Rihanna’s voice that’s created so many memorable songs and crisscrossed so many genres.

The dancers cleared. The stage dimmed except for a single spotlight. High above the field, Rihanna shined bright, on a pedestal. She makes stardom look so easy and left us, as always, wanting a little bit more.

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‘Do you have a kids’ menu?’ Trump ridiculed for ’embarrassing’ food choices on Asia trip



President Donald Trump is returning to the White House after a trip to Asia — and he's facing ridicule over the "kids' menu" choices his hosts offered him while visiting.

The president's culinary preferences – fast food, well-done steaks and spaghetti – are well known, and his Asian hosts attempted to strike a balance between regional specialties and his Americanized tastes, according to the New York Times.

"The lunch he shared with President Lee Jae Myung of South Korea and business leaders on Wednesday was summed up by Mr. Lee’s office as 'fusion Korean cuisine featuring regional specialties from across the nation and tailored to President Trump’s preferences,'" the Times reported.

"The White House picked up on the gesture, calling the Thousand Island dressing, tossed with South Korean shrimps, scallops and abalone, 'a nod to Trump’s New York roots,'" the report added. "It appeared to be his preferred dressing. He also had the condiment, which hails from near the border between New York and Ontario, the night before in Tokyo at the U.S. Ambassador’s residence."

The South Koreans also served braised short ribs made with U.S. beef, along with kimchi and other traditional sides, but also served beef patties with ketchup and brownies decorated with what Lee's office described as "the color of gold that President Trump favors.”

The president's tastes drew mockery online.

"Alito writes for the 6-3 majority, ruling that there’s nothing in the Constitution that says a 79-year-old can’t order off the kids’ menu," joked Seth Michaels, of the Union of Concerned Scientists.

"The ketchup banchan is destroying me," said Sarah Jeong, editor of The Verge.

"When 'Can we have a trade deal?' pivots on 'Do you have a kids menu?'" posted freelance writer Tabatha Southey.

"I am married to a Korean-American," added attorney Bradley Moss. "My kids have been raised eating standard American fare, Jewish deli food, and Korean delicacies. The absurdity of this menu to handhold Trump is something else."

"South Korea gave Trump a literal crown and mini beef patties with ketchup hahahaha," said freelance journalist Laura Bassett.

"How embarrassing for all involved," sighed journalist Sarah Posner.

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ICE sent into frenzy to return longtime Trump golf employee mistakenly deported to Mexico



A longtime former employee at one of President Donald Trump's golf clubs was mistakenly deported to Mexico, The New York Times reported — sending U.S. Immigration and Customs Enforcement into a mad scramble to correct the error and bring him home.

"Alejandro Juarez stepped off a plane in Texas and stood on a bridge over the Rio Grande, staring at the same border that he had crossed illegally from Mexico 22 years earlier," reported Luis Ferré-Sadurní and Hamed Aleaziz. "As U.S. immigration officials unshackled restraints bound to his arms and legs, Mr. Juarez, 39, pleaded with them. He told them he was never given a chance to contest his deportation in front of an immigration judge after being detained in New York City five days before."

As it turned out, the Department of Homeland Security had mistakenly put him on a deportation flight instead of sending him to a detention facility in Arizona ahead of his immigration hearing, to which he was entitled.

"Their actions probably violated federal immigration laws, which entitle most immigrants facing deportation to a hearing before a judge — a hearing Mr. Juarez never had," said the report. "ICE officials raced to decipher his whereabouts, exchanging bewildered emails and contacting detention facilities to pinpoint his location, according to internal ICE documents obtained by The New York Times. It is unclear how many other immigrants like Mr. Juarez have been erroneously removed, in part because ICE has not in the past tracked such cases."

Juarez "had worked for more than a decade at a Trump Organization golf club in New York," noted the report, and suddenly found himself expelled from the United States.

Similar administrative mistakes have happened on other occasions, most notably with Salvadoran migrant Kilmar Abrego Garcia, who was deported from his family in Maryland to the infamous CECOT megaprison in his home country, despite a court order prohibiting his removal there. After months of denying they had jurisdiction to repatriate him, the Trump administration finally did so, but then immediately hit him with flimsy gang charges, and started shopping around for any other country that would accept him, including several in Africa.